This exhibition, down in Cardiff Bay, seems to have been forgotten.
When I went to visit it over the weekend, it wasn’t even open. No-one was expecting visitors. This is a shame, but also not surprising. I was let in eventually by a resident artist, who was making tea. It was not a good start.
The exhibition is quite small and takes no more than half an hour to look around. It focuses on the stories and history of the Black, Asian and Jewish communities in Britain. The exhibition suffers from its lack of space, the main exhibition is squashed into a back room, while the central space focuses on the arts centre itself.
Within the exhibition, I was disappointed by how London-oriented it seemed. I expected something in Butetown Arts Centre, a symbol of local cultural diversity, to be more local.
I would recommend this exhibition to anyone who’s interesting in seeing more of Cardiff than the Student’s Union and number of bars. This exhibition though, barely scrapes the surfaces of ethnic diversity, which is surprising in an area of Cardiff that is historically diverse.
A common theme between tonight’s headliner and support act lies in their frontmen. Both bands are truly led from the front by instrumentless wordsmiths.
It’s electrifying...and soft
Mariam Bashorun and Leah Eynon review the celebrity designed clothing lines invading the highstreet
This must have been the Kaiser Chiefs attempt at irony, because, even for them, it’s really bland and ‘average.’ However, I am going to like this single to annoy all the trendy scenesters with leggings and haircuts from faux-Japanese hairdressers who regard them as ‘uncool.’ Because I hate them more.
Scrummy electropop brilliance: this Brazilian sextet are doing the wise thing in re-releasing a great tunethat fell under the radar back in August. And, oddly enough, it does exactly what it says on the label, makes you want to go out, make love and listen to Death From Above.
Right, first off, I really hate it when people, namely students, bang on about programmes they used to watch when they were young. The top three offending programmes are as follows: Super Ted. Danger Mouse and the Magic Roundabout.
Bursting out of the traps like a sprightly ‘Nu Rave’ greyhound is Gravity’s Rainbow. While the band might have since started a cult, popularised glow-sticks and revived indie-dance music, this re-released track is perhaps their finest moment, with thumping drums and a bass line to die for.
After the recent success of films based on graphic novels at the box office, Books examines its favourite style...
Continuing our look at books from around the world, this week Books goes down under to explore the best of Australasia