By James Rendell
This book is impossibly cinematic and very, very angry. Headcrusher has all the elements that resulted in the celluloid adaptations of Fight Club and American Psycho gaining such iconic status.
Vadim is our main character here, a mid-20s office worker stuck in the mundane rut that is life, his only outlets being a rather odd computer game and writing offensive emails to his superiors that he will never send.
Eventually, Vadim’s boss catches him at these emails, and enrages Vadim so much that he murders him right there and then.
This is where the book becomes swept away with action and intensity, and you can picture every scene as if it was a blockbuster, with every line spewing vivid descriptions, quirky one liners and dark yet funny metaphors.
Although the beginning is a tad slow, and at times the writing is a little overly dense (the descriptions occasionally detracting from the storyline; although props to Andrew Bromfield for what can’t have been an easy translation), this book is very raw and jammed full of massive twists that will keep you gripped to the end.
It’s 10.20pm at the Point and for 15 minutes a video screen mounted behind the stage has been showing repeated slow motion videos of James Brown, moulded into Pavarotti, blended into Sadaam Hussain – or that’s what it looks like to me.
The Sound of Young Cardiff
Why are you so shit?’ Another Gindrinker concert, another moron not quite getting it. To be fair, it’s not hard to see why, screeched vocals about Bullseye and guitar rape in abundance does not a happy emo crowd make.
Sports Editor Dave Menon on why the Cricket World Cup was a shambles
To call LCD Soundsystem a ‘band’ would be somewhat like calling Robbie Williams ‘a bit of a drama queen.’ LCD Soundsystem are a fully-fledged multi-limbed funk contraption.
Snotty Nose
This collaboration works. Sway’s tight-fitting rapping about charity, football and his rise to success all work with the intermittent Mr Hudson lyrics. The two musical styles merge well together, as the remix is underpinned by the backing of the original song, which is invigorated by Sway’s lyrics.
A common theme between tonight’s headliner and support act lies in their frontmen. Both bands are truly led from the front by instrumentless wordsmiths.