With an interesting and original premise, The Brief History of the Dead initially offers the reader a bold and imaginative read. It tells the story a place between Earth and Heaven, a purgatory known only as ‘The City’. This purgatory, however, is unlike many others in the world of fiction. The inhabitants are not waiting for an ascent to a better place; they are instead picking up where they left off after their Earth deaths.
Some treat this as a chance to carrying on living life as they had on Earth, albeit without taking things for granted. Others, however, treat this purgatory as a chance to abuse the situation which they find themselves in. It is believed by the inhabitants that their existence in purgatory is sustained by the memories of the loved ones that they left behind on Earth. However, many inhabitants of The City start to temporarily disappear as Earth life is extinguished by the rapid spread of a virus known as ‘the blinks’, named so because of the first of its symptoms.
The story of ‘The City’ is intricately entwined with the story of Laura, seemingly the last person left on Earth, untouched by the virus. Stranded and isolated in Antarctica, on a mission funded by Coca-Cola, Laura is plagued by loneliness, if not the deadly virus which has wiped out the rest of her species. As news of Laura spreads to The City, its inhabitants become more and more convinced that Laura’s existence on Earth is what sustains their existence in purgatory.
Whilst Brockmeier’s concept is original, he does not possess the ability to uphold the imagination and promise of the first chapters through to the predictable and inevitable conclusion. Brockmeier’s prose is lyrical throughout, but after a while the character of Laura and her musings become tired and tedious. As such, one can’t help but feel let down by The Brief History of the Dead, a novel which initially grabs the reader strongly but slowly and gradually loosens its grip until the reader is left to drift away.
I’ve looked forward to this game for ages and now I’m disappointed. If this game had been released four years ago it would be hailed as one of the best RTS in history, it would have received plaudits from the most resonant of it’s critics and I would’ve been absolutely chevved.
Jangly, mesmerising future folk guitar that undulates from the Cardiff-based pseudo-scientists specialising in lyrical one-liners. Complemented with soft touches of synthesiser that really does transport you into other galactic realms. Not necessarily the most memorable of twee-pop nuggets but certainly an intriguing listen with its optimistic layered vocals cooing.
Left-eye Lopez’s tragic demise
It’s 10.20pm at the Point and for 15 minutes a video screen mounted behind the stage has been showing repeated slow motion videos of James Brown, moulded into Pavarotti, blended into Sadaam Hussain – or that’s what it looks like to me.
Nick leans on the bar, pint in hand; his head nodding slightly to the music. His face is masked by long, greasy strands of hair, (he tells people that he hasn’t had it cut in over a year with a sense of pride). At last the headlining band come on stage, and Nick downs his pint and lurches forward into the crowd.
Can the latest edition to Cardiff’s nightlife, Pulse, live up to expectations?
It’s a matter of mere moments before the arrival of Explosions in the Sky to the stage and the atmosphere in the Astoria is incredible. As with many of their post-rock peers, here is a band that demand nothing short of sheer adoration from their fans.