By John Lott
The first thing that hits you when you start playing Kameo is just how good it looks. The character detail is rich and lifelike and the game bombards you with swarms of hundreds of flying dragons or battling trolls providing a spectacle never before seen in a game. Kameo has taken the graphics potential of the 360 further than any other game I have seen.
The second most noticeable thing about Kameo is just how fun it is to play. You move through various dream-like landscapes, morphing into a gradually expanding set of fantastical characters in a quest to free your family and rid the fairy world of trolls or something (I never pay attention to the plot). As you complete tasks and find hidden power-ups you unlock an array of bizarre and hilarious abilities for your characters that makes slaying those pesky trolls all the more entertaining.
Kameo is enthralling (if admittedly childlike in places); I wish there had been more of it. It features a superb blend of platform action and simple lateral thinking. As it is, short but perfectly formed, it is still a unique gem.
Does what it says on the tin
This exhibition offers an exclusive overview of da Vinci’s career and the variety of his subjects and techniques.
Exposure sees Diversions return to the stage with a new triple bill for 2007. Each of the dances is remarkably different from the others and it’s this variety that draws audiences back to see the dance company time and again.
The Will Ferrell formula is one that can be broken down into three distinct ingredients. The first of these is that his characters must always be highly successful braggarts with delusions of grandeur.
It’s all about the groovy baby
Left-eye Lopez’s tragic demise
It’s a matter of mere moments before the arrival of Explosions in the Sky to the stage and the atmosphere in the Astoria is incredible. As with many of their post-rock peers, here is a band that demand nothing short of sheer adoration from their fans.
Fashion Desk takes on the crowds in Queen Street to battle it out for a piece of the most over-hyped collection of the year
Scrummy electropop brilliance: this Brazilian sextet are doing the wise thing in re-releasing a great tunethat fell under the radar back in August. And, oddly enough, it does exactly what it says on the label, makes you want to go out, make love and listen to Death From Above.
Upbeat and commercial, so unlikely to be popular with students. But thedistinctive sound of Levine’s voice makes a welcome comeback; he is, after all, the best thing since sliced bread.