By Jennifer Dunkerly
My wardrobe used to resemble a jumble sale. Clothes exploded out of the shelves and drawers. Dresses hung on every available door, handle and hook. What I couldn’t hang up, I draped – or mostly flung – over chairs or bulging drawers, prised opened specifically for the purpose. Yet I still fed my shopping habit and indulged in new fashions and high street trends, adding to the array of fantastic items I would surely wear only once but hoard for years and years.
Does this sound familiar? If you, too, open your clothes cupboard and shudder in horror and frustration, it may be time, as I discovered, to give your wardrobe a break. Ask yourself seriously, when you last gave your wardrobe a real thorough detox. I mean a major, ruthless overhaul.
Like us, our wardrobes change with the seasons – and with the shops full of all the newest summer styles, it’s time to work out what to buy, what to chuck out and (most ruthlessly) what actually is left to keep.
Now you may not think this applies to you but I beg to differ. Fashion is a fickle business and I’d argue that even the least likely fashionista has something resembling a wardrobe. Every time you open your wardrobe in the morning you are making a conscious fashion decision. And with summer officially on its way do you really want to wade through all of last years jumpers to get to that all important T-shirt? Why not make it easy on yourself and clear out the clutter?
It’s 10.20pm at the Point and for 15 minutes a video screen mounted behind the stage has been showing repeated slow motion videos of James Brown, moulded into Pavarotti, blended into Sadaam Hussain – or that’s what it looks like to me.
Bursting out of the traps like a sprightly ‘Nu Rave’ greyhound is Gravity’s Rainbow. While the band might have since started a cult, popularised glow-sticks and revived indie-dance music, this re-released track is perhaps their finest moment, with thumping drums and a bass line to die for.
Jangly, mesmerising future folk guitar that undulates from the Cardiff-based pseudo-scientists specialising in lyrical one-liners. Complemented with soft touches of synthesiser that really does transport you into other galactic realms. Not necessarily the most memorable of twee-pop nuggets but certainly an intriguing listen with its optimistic layered vocals cooing.
Scrummy electropop brilliance: this Brazilian sextet are doing the wise thing in re-releasing a great tunethat fell under the radar back in August. And, oddly enough, it does exactly what it says on the label, makes you want to go out, make love and listen to Death From Above.
Interviews gets a behind the scenes account of the making of Black Book following last week’s DVD release
As a fan of Arcade Fire, I really want to plug this single. But Intervention is not very good, sounding more like a hymn than their angry selves. There are better tracks on the album Neon Bible, so buy that instead. Or see them live.
Right, first off, I really hate it when people, namely students, bang on about programmes they used to watch when they were young. The top three offending programmes are as follows: Super Ted. Danger Mouse and the Magic Roundabout.
A common theme between tonight’s headliner and support act lies in their frontmen. Both bands are truly led from the front by instrumentless wordsmiths.
Racist